I don’t think it’s technically the worst film I’ve ever seen, nor even the film I enjoyed watching the least, but I would like to mention the local film The Monkey and The Mouth (NO: Adjø Montebello, lit. “Adieu, Montebello”).
I don’t know the extent to which I didn’t enjoy that film because it was “bad” versus because I was just being forced to watch it, because The Monkey and The Mouth is in a number of ways creative and unique, and tries to tackle multiple important issues, and it shows promise for what local films can be… But I just didn’t enjoy it. At the time, in fact, this was when I was a teenager, I described the film as something to the effect of “a bunch of pretentious drivel whose sole purpose was to serve as a tax write-off and a justification for the film crew to take a probably state-funded vacation in the Bahamas”. Nowadays I might call a film like The Monkey and The Mouth “awardmat”, i.e. it’s a “film festival” movie, you know the kind, the kind where its tackling of societal issues just feels kind of shallow, like the film is more focused on the appearance of having a message than actually being meaningful. But it’s been many years since I saw this film, I don’t remember it too well, maybe if I rewatched it I’d have more positive things to say.
I did and still do like Karpe’s music and their music videos, but I guess it just didn’t work for me when stretched out to 100 minutes.
I don’t think it’s technically the worst film I’ve ever seen, nor even the film I enjoyed watching the least, but I would like to mention the local film The Monkey and The Mouth (NO: Adjø Montebello, lit. “Adieu, Montebello”).
I don’t know the extent to which I didn’t enjoy that film because it was “bad” versus because I was just being forced to watch it, because The Monkey and The Mouth is in a number of ways creative and unique, and tries to tackle multiple important issues, and it shows promise for what local films can be… But I just didn’t enjoy it. At the time, in fact, this was when I was a teenager, I described the film as something to the effect of “a bunch of pretentious drivel whose sole purpose was to serve as a tax write-off and a justification for the film crew to take a probably state-funded vacation in the Bahamas”. Nowadays I might call a film like The Monkey and The Mouth “awardmat”, i.e. it’s a “film festival” movie, you know the kind, the kind where its tackling of societal issues just feels kind of shallow, like the film is more focused on the appearance of having a message than actually being meaningful. But it’s been many years since I saw this film, I don’t remember it too well, maybe if I rewatched it I’d have more positive things to say.
I did and still do like Karpe’s music and their music videos, but I guess it just didn’t work for me when stretched out to 100 minutes.