Martin Scorsese is urging filmmakers to save cinema, by doubling down on his call to fight comic book movie culture.
The storied filmmaker is revisiting the topic of comic book movies in a new profile for GQ. Despite facing intense blowback from filmmakers, actors and the public for the 2019 comments he made slamming the Marvel Cinematic Universe films â he called them theme parks rather than actual cinema â Scorsese isnât shying away from the topic.
âThe danger there is what itâs doing to our culture,â he told GQ. âBecause there are going to be generations now that think ⊠thatâs what movies are.â
GQâs Zach Baron posited that what Scorsese was saying might already be true, and the âKillers of the Flower Moonâ filmmaker agreed.
âThey already think that. Which means that we have to then fight back stronger. And itâs got to come from the grassroots level. Itâs gotta come from the filmmakers themselves,â Scorsese continued to the outlet. âAnd youâll have, you know, the Safdie brothers, and youâll have Chris Nolan, you know what I mean? And hit âem from all sides. Hit âem from all sides, and donât give up. ⊠Go reinvent. Donât complain about it. But itâs true, because weâve got to save cinema.â
Scorsese referred to movies inspired by comic books as âmanufactured contentâ rather than cinema.
âItâs almost like AI making a film,â he said. âAnd that doesnât mean that you donât have incredible directors and special effects people doing beautiful artwork. But what does it mean? What do these films, what will it give you?â
His forthcoming film, âKillers of the Flower Moon,â had been on Scorseseâs wish list for several years; itâs based on David Grannâs 2017 nonfiction book of the same name. He called the story âa sober look at who we are as a culture.â
The film tells the true story of the murders of Osage Nation members by white settlers in the 1920s. DiCaprio originally was attached to play FBI investigator Tom White, who was sent to the Osage Nation within Oklahoma to probe the killings. The script, however, underwent a significant rewrite.
âAfter a certain point,â the filmmaker told Time, âI realized I was making a movie about all the white guys.â
The dramatic focus shifted from Whiteâs investigation to the Osage and the circumstances that led to them being systematically killed with no consequences.
The character of White now is played by Jesse Plemons in a supporting role. DiCaprio stars as the husband of a Native American woman, Mollie Kyle (Lily Gladstone), an oil-rich Osage woman, and member of a conspiracy to kill her loved ones in an effort to steal her family fortune.
Scorsese worked closely with Osage Principal Chief Geoffrey Standing Bear and his office from the beginning of production, consulting producer Chad Renfro told Time. On the first day of shooting, the Oscar-winning filmmaker had an elder of the nation come to set to say a prayer for the cast and crew.
Remember that Martin Scorseseâs last big movie was The Irishman, so he isnât saving the movie industry either.
Also, Hugo was based on a comic book, so kind of hypocritical.
Notice how there wasnât 11 sequels and offshoots to Hugo?
Notice how Hugo was a flop? Those facts are not mutually exclusive.
The thing I like about the MCU is the shared continuity. I appreciate when the styles differ from the standard as well, but I donât view multiple sequels and offshoots as a bad thing inherently.
Generally, the issue heâs talking about isnât caused by comic book movies. It completely predates the modern comic book movie. Comic books are just the current medium for that style of story telling. In the 80s and 90s it was body builder action movies. The 90s and 00s focused more on the slasher film. Now itâs comic book movies.
I honestly think Scorsese is more upset that he personally is having a more difficult time getting backing for his films due to the limited commercial success of his films lately and heâs blaming the viewer and producers rather than looking at himself.
Itâs 100% how no one can get backing for anything new. There are hardly any comedies anymore for example.
More an illustrated novel than a comic book. Also, there are great
comic booksgraphic novels. I feel that his criticism is more of the formulaic and shallow plot and characters frequently associated with comic books, rather than the medium itself.