It looks like the upcoming Lower Decks season will be the last one 😭😭 I didn’t have any expectations for this show but it has quickly grown to be one of my favorites. I’ll miss it

    • Flying Squid@lemmy.worldM
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      7 months ago

      But my main problem here is the demographic line. You’re suggesting that the only reason to make for another demographic outside of the core Trekkies that have been catered to for decades is for money.

      Yes. 100%. It’s always about money. Paramount does not greenlight Star Trek shows unless they think it will make them money.

      Now businesses are gonna business and wanna make money but why is doing it for another demographic bad? Are they not allowed to enjoy it? Do their opinions not matter? Why is it such a bad thing that more demographics are being catered to with Trek?

      Another demographic isn’t bad. Relying on that demographic as one of maybe two shows when it has not traditionally been a Star Trek demographic is a huge risk that comes entirely from bean counters.

      The reason I am so eagle eyed on this is because the same argument was thrown at Star Trek Discovery specifically due to LGBTQ characters.

      This is entirely different. This is not pandering. This is trying to get Paramount+ an entirely new viewer base at the expense of everything else because it’s what desperate Paramount+ executives feel their failing streaming service needs to survive. “We’re adding a few queer characters to get a gay audience” would be pandering, because it’s about gratification. This isn’t about gratification, this is about subscription fees. This isn’t “okay, we’re throwing you kids a bone so you’ll watch too,” this is, “we are creating this show entirely around the idea of getting new viewers to pay for Paramount+.”

      And again, this isn’t the creative team behind Star Trek saying so, this is Paramount executives.

      Suggesting that appealing to demographics outside of the stereotypical nerd is bad or should be treated with suspicion doesn’t help anyone in anyway.

      It isn’t bad, but it should be treated with suspicion. Because all streaming service tentpole shows that get greenlit should be treated with suspicion right now. It should also be treated with suspicion because there’s zero movement on Legacy, Prodigy was shunted over to Netflix and now Lower Decks, despite being super popular, is ending with only 50 episodes total.

      This is not the early streaming era where anything went and people had lots of creative freedom. This is an era where demographics are everything to executives.

      I am absolutely cynical about such things because I have seen how such things play out over and over again.

      Edit: If you haven’t read this post yet, this article supports my point: https://www.hollywoodreporter.com/business/business-news/paramount-earnings-stock-cash-content-1235328376/

        • Flying Squid@lemmy.worldM
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          7 months ago

          I agree. I’m entirely speculating. But I am not hopeful, I’m just not. I’m sorry.

          Would you react the exact same way if another Trek show was made for the middle aged, white, straight audience?

          If it were sold by Paramount as “Middle Aged Star Trek” or “White Star Trek” or “Cis Star Trek” or whatever, yes. I have, aside from Prodigy, never heard Paramount, Vicacom, whatever, sell a Star Trek show as ‘we’re designing this show around this group of people.’

          It instantly raises my suspicions.

    • orrk@lemmy.world
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      7 months ago

      the “lgbtq+” characters in STD were borderline offense with the level of stereotyping they pulled, it’s not like we didn’t have LGBTQ+ characters before, of course they weren’t a fucking caricature…

        • orrk@lemmy.world
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          7 months ago

          considering you only see LGBTQ+ if it’s a stereotype, you must think Rain-man a decent representation of ASD…

          then again, I love how you pretend at some argument of consistency when all the “one word” series are known mainly by said word (Voyager, Enterprise), and TOS just meaning the original series, so you have two examples here, both of which, if we went with their naming convention, would leave it called “D”.

          • Melmi@lemmy.blahaj.zone
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            7 months ago

            There is a standard naming convention, and it predates the creation of Discovery. Voyager is VOY, and Enterprise is ENT. No one calls Voyager “STV”, as that would cause confusion with Star Trek V, the movie. If you’ve ever used Memory Alpha or participated in a fan community like Daystrom you’ll know that this has been standard for a long time. By extension, Discovery is DIS, Picard is PIC, and Prodigy is PRO.

            DSC is a special case because it’s used internally by the production (even shows up in the show itself once or twice) so some people have taken to using it, but it’s not consistent with the other naming schemes we use so it’s not standard. In fact, when it came out that Voyager was referred to internally as VGR, basically no one switched because everyone was so used to calling it VOY.

      • Melmi@lemmy.blahaj.zone
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        7 months ago

        Out of curiosity, who do you see as the LGBTQ+ characters? I can think of a few, but outside of mirror universe eps no one is actually established as queer. It’s all subtext, or implied.

        Then there’s the big lesbian kiss with Jadzia, and that’s awesome, but immediately after they decide that they shouldn’t be doing this and they go their separate ways, and Jadzia never to my knowledge expresses her attraction to a woman again. Even in that case, it’s unique because said woman used to be a man. It’s not Jadzia just being attracted to a woman on her own merits.

        What’s big about new Trek is that the characters are actually queer in the text, not just subtext. I’m a big fan of reading Garak and Bashir as queer, but they’re fundamentally not good representation because as far as the story itself is concerned, they’re two straight men. It’s only through the actors’ performances that the queer implications shine through.