Have you really enjoyed reading a work that qualifies and want to recommend it to others? This is the prime spot to help people out with those recommendations.
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Plays With Words:
Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
- Flowers for Algernon by Daniel Keyes
- Infinite Jest by David Foster Wallace
- Ella Minnow Pea: A Progressively Lipogrammatic Epistolary Fable by Mark Dunn
- Catch-22 by Joseph Heller
- Finnegans Wake by James Joyce
- House of Leaves by Mark Z. Danielewski
- A Clockwork Orange by Anthony Burgess
I asked this question a few months back and had a ton of replies. I’ll leave a link to the thread and highlight my two favourite books so far.
Children of Time - Adrian Tchaikovsky “Evolutionary storytelling”. It tells the story of an entire civilization as it grows and evolves from nothing, whilst simultaneously telling a story that takes place over a much more conventional timescale. Very good book IMO, with two slightly-less-strong sequals
Idaho Winter - Tony Burgess What a bizarre book this was. I don’t know if it’s a good book, but it was weird and kept me entertained so that’s good enough for me.
Spoiler for what made it weird
The author gets dragged into the story at one point and becomes a character in the book by accident
Removed by mod
New Release:
New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you’ve read by this author.
The gathering, by C.J. Tudor
Nuclear war: a scenario, by Annie Jacobsen
Water, Water Everywhere
The title refers to some form or body of water. HARD MODE: Not liquid water.
- On Stranger Tides by Tim Powers
- The Ocean at the End of the Lane by Neil Gaiman
- Midnight Riot (The original UK title of this is River’s of London) by Ben Aaronovitch
There Is Another…:
Not the first in a series. HARD MODE: Series has 5 or more entries.
ALT - A Change in Perspective
Written in third-person perspective. HARD MODE: Second-person perspective.
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- The Invisible Life of Addie LaRue by V.E. Schwab
- The Night Circus by Erin Morgenstern
- Space Vampire (Choose Your Own Adventure #9) by Edward Packard
Bookception:
Features a book-related aspect. HARD MODE: Something other than a book, like an author or library.
- The Book Eaters by Sunyi Dean
- The Golden Enclaves by Naomi Novik
- Fahrenheit 451 by Ray Bradbury
- The Hitchhiker’s Guide to the Galaxy by Douglas Adams
- The Neverending Story by Michael Ende
It’s About Time:
The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
Won’t fit the hard mode, but Charles Sheffield’s Tomorrow and Tomorrow was an interesting read. The first third wasn’t really my thing, but after that the book goes way far into the future.
- The Curious Case of Benjamin Button by F. Scott Fitzgerald
- The Time Machine by H.G. Wells
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- 11/22/63 by Stephen King
- The Man Who Folded Himself by David Gerrold
Family Drama:
Family is important, but sometimes it’s also the cause of problems. Family dynamics are fundamental to the narrative. HARD MODE: Involves three or more generations of family members.
Pachinko by Min Jin Lee
- Charlie and the Chocolate Factory by Roald Dahl
- The Sandman Graphic Novels by Neil Gaiman
- The Library at Mount Char by Scott Hawkins
- The Ocean at the End of the Lane by Neil Gaiman
“100 Years of Solitude” Gabriel García Márquez (this works for HARD MODE)
What’s Yours Is Mine:
Theft, piracy, fraud, or espionage is a major topic or plot point. HARD MODE: No MacGuffins.
The Recognitions by William Gaddis
Mistborn by Brandon Sanderson
- The Thief by Megan Whalen Turner
- The Lies of Locke Lamora by Scott Lynch
- The Palace Job by Patrick Weekes
- The Redemption of Althalus by Leigh Eddings & David Eddings
- Tinker, Tailor, Soldier, Spy by John le Carré
- Catch Me If You Can: The True Story of a Real Fake by Frank W. Abagnale with Stan Redding
- On Stranger Tides by Tim Powers
Stranger in a Strange Land:
The primary PoV is dropped into a completely unfamiliar situation or location. HARD MODE: Not portal fiction or isekai.
- Dungeon Crawler Carl by Matt Dinniman
- A Connecticut Yankee in King Arthur’s Court by Mark Twain
- A Princess of Mars by Edgar Rice Burroughs
Minority Author:
Minority or LGBTQIA+ author. A minority can be any member of a generally underrepresented population where you live. HARD MODE: Minority and LGBTQIA+.
- Binti by Nnedi Okorafor
- Parable of the Sower by Octavia E. Butler
- The Picture of Dorian Gray by Oscar Wilde
- Mexican Gothic by Silvia Moreno-Garcia
- Babel: An Arcane History by R.F. Kuang
- The Invisible Life of Addie LaRue by V.E. Schwab
- Iron Widow by Xiran Jay Zhao
- The Three-Body Problem by Cixin Liu
- Jade City by Fonda Lee
Anything by Roxanne Gay and Nikki Giovanni will work for HARD MODE.
It Takes Two:
Written by two or more authors. HARD MODE: Written by three or more authors.
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohta
- Good Omens by Terry Pratchett, Neil Gaiman
- Leviathan Wakes by James S.A. Corey (Corey is a pseudonym for the team of Daniel Abraham and Ty Franck)
ALT - Same Author, New Work
An author you’ve read before, but a series (or standalone) you haven’t. HARD MODE: Give an author you didn’t like a second chance.
Among the Stars:
Features space, astronomy, or stardom. HARD MODE: The title references the theme, too.
Mr Palomar by Italo Calvino.
Also qualifies for hard mode (the character is named after an observatory).
The Calculating Stars by Mary Robinette Kowal
The Three-Body Problem, by Cixin Liu
- Binti by Nnedi Okorafor
- Leviathan Wakes by James S.A. Corey
- 2001: A Space Odyssey by Arthur C. Clarke
- Who Censored Roger Rabbit? by Gary K. Wolf (movie stars count)
