Logline

A shuttle accident leads to Spock’s Vulcan DNA being removed by aliens, making him fully human and completely unprepared to face T’Pring’s family during an important ceremonial dinner.

Written by Kathryn Lyn & Henry Alonso Myers

Directed by Jordan Canning

  • deweydecibel@lemmy.world
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    2 years ago

    By far the best moment was Pike’s face when he noped out of the scene after Spock revealed the deception.

  • Mezentine@startrek.website
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    2 years ago

    They’re also doing a really good job of playing out the long arc of T’Pring and Spock having genuine affection for each other to the point where we’re actually kind of going to be on T’Pring’s side when she finally reaches the conclusion of “Man, fuck that guy”

  • adamlauver@lemmy.world
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    2 years ago

    I thought this episode walked a really fascinating line in its approach to exploring the lived experience and cultural significance of mixed identities. Having the ancient alien species misinterpret Spock’s Vulcan DNA as an anomaly/pathology was a risky move from a writing perspective given the potential for reproducing language and ideas associated with eugenics. But doing so allowed what what I thought was a more robust examination of Spock’s character and his relationships, by way of separating one half of his identity from the other and seeing what happens (like a smaller scale of Community’s excellent “Remedial Chaos Theory,” which examined how the study group might be affected by the temporary removal of each group member in turn).

    There was plenty to laugh at, of course. Ethan Peck could easily have gone too over-the-top in playing Spock’s surge in human emotions, but I think he threaded the needle really well in allowing through just enough Vulcan “muscle memory” (as it were) to tamp down the humania – and he still managed to be extremely funny. And Anson Mount as always shined with his subtle (and hilarious) comic timing as the host of the engagement ceremony. Watch the way he snaps his fingers when T’Pring’s father asks for more Tevmel --and how he continues on in wide-eyed stride on his way back to the group once Spock starts admitting to his “condition.” Mount is a performer who knows how to blend into the scenery rather than chew it – a distinct quality in a Star Trek captain and a consistently funny one to boot.

    But what really made this episode work for me was the heart in addition to the humor. I have a friend who remarked earlier this season that she doesn’t understand why Star Trek is so obsessed with Spock’s human side; she’s much more attracted to his Vulcan side and is confused at what she sees as the constant efforts to make him “more human.” I can see her frustration, and this episode certainly turns into that skid a bit. But the show isn’t fantasizing or daydreaming about a Spock that’s fully human – it’s using the idea as a tool to understand his fuller and more complex identity, and to celebrate what makes Spock Spock. And I absolutely shed tears when Spock came clean to T’Pring’s parents about his condition, not just out of personal pride but as a way to express affection and appreciation for his human mother. What a wonderful moment.

    And I think this episode’s true strength was in depicting how everyone in Spock’s life understood that being made “more human” didn’t make him better or more “fun” or more “relatable.” Not once did anyone murmur to anyone else something like, “Are we sure we want to fix him?” (which I could easily see Dr. McCoy saying, for example). Instead, everyone understood fundamentally the unique value of Spock’s half-human/half-Vulcan identity, and went to great lengths to bring it back. It might have been a bit corny to funnel that through Nurse Chapel’s romantic feelings for him, and having her have to admit those feelings to an ancient alien species – but it was smart, too. (And seeing her tell the Vulcan Science Academy that she didn’t think their fellowship was ready for her made me literally pump my arm, by the way).

    Another solid Spock-centric episode in my book. I look forward to reading what everyone else thought!

    • SoSquidTaste@kbin.social
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      2 years ago

      humania

      My first time seeing this; delightful term hahah

      I also can’t agree enough with your observation about the human side as a lens through which to understand Spock and how he relates to those around him. Double points for noting the lack of quippiness in the vein of “Are we sure we want to fix him?” I hate that I need to praise that kind of restraint in TV / movie writing these days but, well, here we are.

      As for my original contribution here:

      I realllly liked the fact that while I’m sure I’m not alone in shipping TF out of Spock and Chapel, I feel like this episode went to decently robust character exploration such that the ending bit felt a lot less tacked on, or a writer’s wink “for the shippers”. A lot of that IMO rests on Spock’s monologue at the end of the dinner. For just another layer of appreciation of that character moment.

  • YoBuckStopsHere@lemmy.world
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    2 years ago

    I keep watching this series and saying, see this is what we want. This was a fun episode that hit all it’s marks, science and technology, social issues, and an awesome story.

  • AuroraBorealis@pawb.social
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    2 years ago

    Ethan peck looked like he had a blast with this episode, screaming into a towel is a mood

    I also enjoyed the “subservient” dad who really just wanted to eat good food and play charades but was shot down :'( but then the captain gave him leftovers with a cool snap :)

    Also, as a meta comment, I really dislike the scenes where it’s clear they are just I don’t of the LED wall. It looks so fake and the actors just stand there in an obviously empty room. Season 1 of SNW had at least one episode of this, and season 1 of the mandalorian did too, and they really need to follow the mandalorian example.abkut having actual physical props in addition to the LED wall to prevent it from looking fake as hell

    • triktrek@startrek.website
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      2 years ago

      Regarding the LED wall, yeah, it was more obvious here. It felt like they were entering one of those gimmicky project-Van-Gogh-art-on-a-warehouse-wall tourist traps.

      The episode where Uhura and Hemmer were trapped in the engine room was another one that stood out.

    • shirro@aussie.zone
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      2 years ago

      Having grown up watching matte paintings, shaky plywood sets, bubble wrap monsters and people running up and down the same corridor repeatedly and then decades of soulless bad CGI I have nothing bad to say about modern productions standards. There is something special and human about the artistry of matte paintings, scale models and physical sets but I don’t know that today’s viewers have the same capacity for suspension of disbelief. LED walls allow some story telling that would otherwise be to expensive to visualise.

    • Lockely@pawb.social
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      2 years ago

      The last episode on Rigel VII was shot in front of the Holodeck (what the call Trek’s AR Wall) and it was breathtakingly good. The emptiness was likely part of the point with this species.

    • koreth@lemm.ee
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      2 years ago

      The AR wall was obvious but it doesn’t bother me that much. Environments that require active suspension of disbelief have been a Star Trek staple since the 1960s.

  • cybervseas@lemmy.world
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    2 years ago

    Good for Ethan Peck. It’s like when Brent Spiner got to play Lore or Doctor Soong and express himself through other characters. Human Spock is basically another character. It would be nice to see him again some day.

  • khaosworks@startrek.website
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    2 years ago

    The Kherkovians remind me of my worst customer service experiences. I bet Yellow and Blue aren’t even their real names, just aliases to mask the rep of the day.

    I’m also convinced they have to be connected to the Bajoran Prophets somehow. A transport tunnel? An interdimensional liminal space? Come on!

    The Vulcan comedy of manners was hilarious, especially the Awareness ritual, which is basically every thing your in-laws hate about you but told to your face with no pretense. Pike trying to get them to play charades was a little too on the nose, I think, right up there with “You’re astronauts on some kind of Star Trek.”

    I was half convinced the mind meld would turn out to be a TAS: “Yesteryear” reference. Not gonna lie, felt a bit let down. They’re also really teasing us with this Korby stuff.

    I also thought the reason Spock didn’t tell T’Pring was because he thought there was a risk T’Pril might pick it up during the meld.

    While I enjoy them, I do hope the zany episodes don’t always revolve around Vulcans. As funny as they are (and teaching Spock how to talk like a Vulcan was gasping for breath funny) I don’t always want them to be the butt of the joke.

  • Eva!@lemmy.world
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    2 years ago

    Kinda sad we didn’t get James Frain back as Sarek for this episode. I could kinda see him bumping into Chapel and reminiscing about how the Vulcan Science Academy was absolutely awful to his 1.5 human kids.

    • FormerGameDev
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      2 years ago

      Remember that Sarek is not speaking to Spock for another like 18 years or so

  • Weerdo@lemmy.world
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    2 years ago

    So, that whole section for Spock on being a Vulcan, That’s the video clip they’re going to give new actors for Vulcans isn’t it? Right down to the prosthetics.

  • williams_482@startrek.website
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    2 years ago

    Much to my own surprise, I’m a complete sucker for this budding Spock/Chapel romance. I just want these two beautiful people to be happy together, damn it! We all know it’s doomed, unfortunately, and I hope that whatever inevitably destroys it doesn’t turn out to be too painful for the characters involved. Spock and Chapel are obviously not engaged in a romantic relationship in TOS, most obviously in Amok Time when such a pairing would have rendered the entire story trivial.

    Someone mentioned in a previous thread that Spock’s Pon Farr (seven years before Amok Time) is closing in. I was skeptical in that thread that they would choose to touch on it then, but the events of this episode do make that seem quite a bit more likely, if (again) increasingly difficult to square with Amok Time.

    • SteleTrovilo@beehaw.org
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      2 years ago

      I’m holding out hope for Spock/Chapel. I actually think SNW subtly branched away from the Prime timeline some time ago, so the future for these characters is not yet written!

        • triktrek@startrek.website
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          2 years ago

          It’s sci-fi – if the producers feel strongly enough to make a blank slate, they can always retcon or shall I say future-con, and have SNW branch out a different timeline.

        • effinstephen@startrek.website
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          2 years ago

          The Temporal Cold War has made ripples in the timeline. The Romulan time traveler in “Tomorrow and Tomorrow and Tomorrow” strongly hinted that history was at least a little bit different than it had been, with the date of the Eugenics War as case in point. I think the writers are freeing themselves up to make minor changes to canon. I don’t think it’s a branching timeline, though, it’s still Prime. Just a little bit different, like Gabriel Bell being replaced by Captain Sisco.