I’m not judging anything. What I’m saying is that works must be judged for their redeeming value in toto against the actions the deeds of the artist. Ie, one must be judged in balance against the other, not simply one or the other in a vacuum.
I’m trying to express my standard for judgement, not making a judgement myself.
The artist isn’t a framework. An artist creates a framework, from which they must eventually be separated (in your wording).
So, once an artist is prolific enough to establish (as you put it) a “framework”, then one can separate the judgement of the “framework” form the individual artist themselves.
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Seems to me @gregorum is talking about Demoiselles d’Avignon’s impact on art a a whole. It was a very influential painting.
Bush on the other hand is only notable because of who painted it. It’s a common naive realism style.
I’m not judging anything. What I’m saying is that works must be judged for their redeeming value in toto against the actions the deeds of the artist. Ie, one must be judged in balance against the other, not simply one or the other in a vacuum.
I’m trying to express my standard for judgement, not making a judgement myself.
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The artist isn’t a framework. An artist creates a framework, from which they must eventually be separated (in your wording).
So, once an artist is prolific enough to establish (as you put it) a “framework”, then one can separate the judgement of the “framework” form the individual artist themselves.
Does that make sense?
Edit: if not, maybe I can clarify further
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