There are multiple sources referenced to weave a new commentary about the relationship between video games and labor for both players and creators 🤷.

Because email federation is inherent to everyone’s understanding of how that service works. And perhaps more importantly, email “instances” are run by corporations. Laymen are not signing up on a “server” or “instance,” they’re signing up for Google, Apple, or Microsoft - the service they get aligns to a company that provides it. Nearly every single service that anyone has ever signed up for online has followed the same essential process: go to fixed url, create id and password, gain access.

It’s easy to underestimate, especially in communities like this, how enigmatic the entire infrastructure of the internet is to the general population. Think of those videos where people are asked what “the cloud” is: they pause and ponder and then guess “satellites?” because they’ve never even wondered about it. I’m guessing that for many people, something like Twitter is just something that lives in their app store that they can choose to “enable” on their phone by installing it.

People know that software is “made up of code,” but they don’t understand what that means. The idea that an “application” is a collection of services run by code, that there are app servers and web servers, that there are backends and frontends, is completely unknown to (I’d guess) a significant majority of people. And if someone doesn’t understand that, it’s honestly near impossible to understand what anything in the fediverse is.

And most importantly: this is not any user’s fault. IT and the Internet developed so quickly, and it was made so seamlessly accessible by corporations who at first just wanted their services to be adopted, and then wanted everything even more deliberately opaque so those users were more likely to feel locked in and dependent while the services themselves tail-spun in degradation.

We need more, and more accessible, and friendlier, tech literacy in general. The complexity of our world is running away from us (“I have a foreboding [of a time…] when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues” - Carl Sagan) and we simply can’t deeply understand many of the things that directly impact us. But because of its ubiquity, IT may be the best chance people have of getting better at understanding.

I fear Matthew Vaughn has just lost his grip on the humanity that so brilliantly balanced the silly stories he likes to tell. Stardust is one of my all-time favorite movies, and Kick-Ass, X-Men First Class, and Kingsman are some of the most entertaining blockbuster flicks available, where the action is satisfyingly contextualized through excellent character work.

But his last three movies just don’t have the right equation. From what I remember, Argyle started out really strongly but seriously devolved after the halfway point. I think he’s indulging too much in the overwrought spectacle that he first toed the line of at the end of the first Kingsman.

Lincoln was a great biopic. Hyperfocusing on one pivotal moment in the man’s illustrious life, and using the complexity of those circumstances to explore his intelligence and charisma from all angles was so much more effective than the whole-life-in-fast-forward approach so many other biopics follow.

Plus Daniel Day Lewis in peak form. Just an indescribably good performance.

Truly I wish that lawsuit the best. I still think the tone of the article is off, but certainly I may be guilty of the same.

Thanks for taking the time. Hard to keep from sinking too deep into despondency.

I get page not found 🤷

I may very well be wrong, happy to admit it. Do you know what laws are being broken?

So…to my untrained ears this sounds kind of dumb.

cybersecurity has always been about protecting computer systems more generally from any sort of misuse, no matter how the adversary might access them.

And misuse is defined the system’s owner, who in this case has given explicit permission to Musk. The whole article is predicated on the idea that Elon Musk…lied or put on a disguise or something. By any currently known measure, he’s allowed to be doing everything he’s doing because that’s what the current, duly-elected administration told him to do.

There was an image on the front page today of the everything-is-fine dog sitting among the flames saying “they can’t do this it’s illegal.” That seems apt for this article. America elected a fascist, and that fascist is openly tearing down all the informal rules and norms that we’ve always treated like laws.

Pretending like there’s a legal issue with a lot of what’s been happening is a distraction and waste of time that Democrats appear to be perfectly comfortable using as air cover to not exercise what little power they might have. I feel confident it will lead nowhere, and unless the people with power and influence who pretend to care figure out how to actually accomplish anything, we will just keep sinking.

I think the remake addresses these issues as well.

What’s truly bizarre and off-putting though is how this game switches between several different types of cutscenes, ranging from completely fleshed out and animated (those look great) over less well-animated (but serviceable), to nearly completely static (but still voiced)= cutscenes with barely any movement.

If I remember correctly, 0 might be the only game to do this. 0 was my first game too and I remember being taken back by this (the static scene talking to some guy in a car smoking a cigarette or something is what sticks out in my memory). It’s possible other games did this too and I just forgot, but I’m not sure.

As for 0 being a good starting point, I do disagree. Having played all of them, I think 0 would land better if it was played after 1, 2, and 3. Kiryu’s and especially Majima’s stories in 0 heavily reference things that occur or are at least revealed in 1 and 3.

I started with 0 and worked my way chronologically from there (with the remakes for 1 and 2), and 0 is my pick for best if the series. I think the thing to know about the real estate sub-game, and others of its ilk like the host club in the same game (I think), is that they are completely parallel, non-consequential, optional content.

I personally feel that you could go through every single Yakuza game playing only the main story and side stories without missing anything of value. I would frequently force myself to play batting cages or karaoke or dancing because fans talk a lot about that stuff, but there’s really very little there to compel your attention unless you enjoy it. You can totally skip all that.

You could probably also skip the side stories if you just want to follow the main path, but those I do think are more crucial to Yakuza’s experience and identity - the outrageously silly flip side of the coin to the main story’s soap-opera-esque melodrama.

Thanks DeepSeek.

Glad to see a publication pushing back on the recent asinine comments and behaviors from CI.

Disney’s creative integrity is dogshit. The MCU is overstuffed and meandering. I planned to be skeptical.

But goddammit if this trailer didn’t give me chills. Charlie Cox’s interpretation of Daredevil is quite possibly the best adapted superhero performance I’ve ever seen. I’d have watched this series beginning to end just to see him playing the part, but the tension, the action, the emotion, the score all worked in this trailer.

Despite my better wisdom I am fucking excited.

Does anyone know what is required viewing going into this? I watched She-Hulk but I think Daredevil was also in Echo or something? Anything else?

Some teams put a little more effort into these than others lol (looking at you Polyphony). Housemarque’s is delightfully twisted in context. ZA/UM’s is really cool but spoiled by…that whole thing. My favorite just on pure aesthetics might be Sucker Punch.

An early proposal for The Last of Us 2.

Fair enough. I love the 80s vibe otherwise, but the brands have the awkward blocking and lingering-too-long-shot quality of bad product placement. Maybe in the final product it will make more sense if it’s supposed to be thematic and not just paid sponsorship.

Really impressed with how distinct a direction they went for this, it looks really promising.

I’m not tapped into the conversation over the show last night but I assume I’m not the only one who thinks the advertisements in this 4-minute video were fucking horrendous though.

“We’ve never been the party that was about checking boxes or identity politics, but the difference is we have women that are qualified to be chairs, and I don’t know why there wasn’t one who was able to become a chairperson of a committee," she added.

They’ve created this cartoonish simulacrum of diversity that they treat like some rabid, overzealous movement so they can ignore it.

Nicole, this thing you’re disappointed about is what that thing you dismiss as “identity politics” is actually all about, you weiner.

Best month I can remember in a long time.

• Forspoken: never planned on paying for it but I’m excited to play it for free.

• Sonic Frontiers: I actually already own this on Switch but we’ve been saving it to give as a Xmas present. Solid addition to the catalog though.

• F.I.S.T.: Forged In Shadow Torch: never heard of it but I’ve been devouring metroidvanias this year, and apparently this scored well so I’m pumped.

• A Space for the Unbound: looks great, love the art style.

• PHOGS & Biped: two coop puzzle games that sound great to play with the family.