• 11 Posts
  • 34 Comments
Joined 1 year ago
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Cake day: June 12th, 2023

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  • Thanks! Not my design, though. It’s a German made Sorotec Compact Line 0805. I don’t think the brand is well known in the US, but has a good rep here in Germany. It came as a kit (just the mechanical part) and I had to plan the control cabinets for machine control (eding cnc 720 + JMC closed loop steppers with integrated drives) and spindle control/vfd (omron mx2) myself.

    The cooling is being done by an aquarium pump and a 5L bottle of distilled water at the moment. For the winter I’ll have to make myself something with a heater, because the spindle doesn’t like temps too far below 20°C and heating up the coolant with the spindle would damage the bearings.












  • Ob das nicht ein Überbleibsel der DDR-Diktatur ist? Ich höre immer nur ein “Wir gegen die da oben”, nur hat die diesmal ja wirklich wer gewählt, die Regierung ist Resultat eines Demokratischen Prozesses und keiner Pseudowahl in einer Einparteiendiktatur. Sich als Opfer unveränderlicher Umstände zu sehen ist vielleicht eine Denkweise, die sich bis heute fortgesetzt hat, wie ein Kindheitstrauma. Politik ist für Ostdeutsche (gefühlt) noch immer etwas, das nicht gestaltet werden kann, sondern nur dagegen rebelliert.







  • Also seeing a pretty clear linguistic link between “vielle” and “fiddle.”

    In german it’s Fidel (like Castro). And I’ve been told it’s distinct from “Fiedel” (long I like “feeling”), which describes a cheap but modern violin.

    I wonder if the “rough” sound you describe would be at home with various European and North American folk traditions.

    Pretty much. Tbh. it was the soundtrack of witcher 3 that got me into folk and early music and making my own instruments.

    One step further would be to make an instrument with horsehair as strings, like tagelharpa or кобыз (kobyz)


  • It does sound more rough and archaic, far less “sweet” than a violin. But that has a lot to do with the setup, less with the body shape. No soundpost, but quite long bass bar. Then the bridge style makes 50% of the sound. This crown shape in the pictures is really harsh. I’ve replaced it with a rebec style arch bridge (sadly have no photo of it atm), which is better but still distinctly medieval. I also fitted and tried a modern violin bridge, which makes it sound pretty close to a violin!

    Please note that vielles are not standardised like modern violins. It’s really any violin/viola sized bowed instrument with flat or just slightly arched back and top. This is really just my design loosely inspired by old paintings and modern makers.

    Also the hair on the bow has a huge influence on the sound. I rehaired a baroque bow with black horsehair, which is very coarse and gives a rough sound.