Thanks for the thoughtful reply. I think we may agree more than you think: the laws you mention aren’t laws in the scientific sense of the word; instead, they’re a technique (dialectics) for investigating the world. I agree that it is a very powerful technique, that’s what I meant when I said that Marxism is best thought of as a methodology than a science. You said it yourself when you called Marxism “an analytical tool”. You can use it to do science, but its not a science per se
this is an interesting reading but i would disagree (to a certain amount) with it - the last scene isn’t about the judge’s artistic fulfillment or the attention on the judge, because (as far as I remember) he’s not playing in like a concert, but in a dance. In other words, its a participatory performance, in which everyone in the room is involved in. Attention isn’t focused entirely on the judge, but rather on the “ecstasy” produced by the dancing; even the prose that describes it has a certain breathless, mystical quality to it. This esctatic quality is the same in the violence of the glanton gang. to me, the ending is far more about connecting the forms of frontier American society with the forms of violence (war, ethnic cleansing, etc.) that paved the way for that society. the judge, of course, would have to be involved with both