More than 100 days into the writers strike, fears have kept mounting over the possibility of studios deploying generative artificial intelligence to completely pen scripts. But intellectual property law has long said that copyrights are only granted to works created by humans, and that doesn’t look like it’s changing anytime soon.
A federal judge on Friday upheld a finding from the U.S. Copyright Office that a piece of art created by AI is not open to protection. The ruling was delivered in an order turning down Stephen Thaler’s bid challenging the government’s position refusing to register works made by AI. Copyright law has “never stretched so far” to “protect works generated by new forms of technology operating absent any guiding human hand,” U.S. District Judge Beryl Howell found.
The opinion stressed, “Human authorship is a bedrock requirement.”
The push for protection of works created by AI has been spearheaded by Thaler, chief executive of neural network firm Imagination Engines. In 2018, he listed an AI system, the Creativity Machine, as the sole creator of an artwork called A Recent Entrance to Paradise, which was described as “autonomously created by a computer algorithm running on a machine.” The Copyright Office denied the application on the grounds that “the nexus between the human mind and creative expression” is a crucial element of protection.
Thaler, who listed himself as the owner of the copyright under the work-for-hire doctrine, sued in a lawsuit contesting the denial and the office’s human authorship requirement. He argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria,” with any ownership vesting in the machine’s owner. His complaint argued that the office’s refusal was “arbitrary, capricious, an abuse of discretion and not in accordance with the law” in violation of the Administrative Procedure Act, which provides for judicial review of agency actions. The question presented in the suit was whether a work generated solely by a computer falls under the protection of copyright law.
“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote.
U.S. copyright law, she underscored, “protects only works of human creation” and is “designed to adapt with the times.” There’s been a consistent understanding that human creativity is “at the core of copyrightability, even as that human creativity is channeled through new tools or into new media,” the ruling stated.
While cameras generated a mechanical reproduction of a scene, she explained that it does so only after a human develops a “mental conception” of the photo, which is a product of decisions like where the subject stands, arrangements and lighting, among other choices.
“Human involvement in, and ultimate creative control over, the work at issue was key to the conclusion that the new type of work fell within the bounds of copyright,” Howell wrote.
Various courts have reached the same conclusion. In one of the leading cases on copyright authorship, Burrow-Giles Lithographic Company v. Sarony, the Supreme Court held that there was “no doubt” that protection can be extended to photographs as long as “they are representative of original intellectual conceptions of the author.” The justices exclusively referred to such authors as human, describing them as a class of “persons” and a copyright as the “right of a man to the production of his own genius or intellect.”
In another case, the a federal appeals court said that a photo captured by a monkey can’t be granted a copyright since animals don’t qualify for protection, though the suit was decided on other grounds. Howell cited the ruling in her decision. “Plaintiff can point to no case in which a court has recognized copyright in a work originating with a non-human,” the order, which granted summary judgment in favor of the copyright office, stated.
The judge also explored the purpose of copyright law, which she said is to encourage “human individuals to engage in” creation. Copyrights and patents, she said, were conceived as “forms of property that the government was established to protect, and it was understood that recognizing exclusive rights in that property would further the public good by incentivizing individuals to create and invent.” The ruling continued, “The act of human creation—and how to best encourage human individuals to engage in that creation, and thereby promote science and the useful arts—was thus central to American copyright from its very inception.” Copyright law wasn’t designed to reach non-human actors, Howell said.
The order was delivered as courts weigh the legality of AI companies training their systems on copyrighted works. The suits, filed by artists and artists in California federal court, allege copyright infringement and could result in the firms having to destroy their large language models.
In March, the copyright office affirmed that most works generated by AI aren’t copyrightable but clarified that AI-assisted materials qualify for protection in certain instances. An application for a work created with the help of AI can support a copyright claim if a human “selected or arranged” it in a “sufficiently creative way that the resulting work constitutes an original work of authorship,” it said.
As a person who creates both visual arts and music, though admittedly for my own enjoyment alone, I can’t bring myself to ever recognize any of the AI generated stuff as Art. None of it is any good if you look at it close. It’s wrong in every way. The machines were supposed to come for our jobs, but that was supposed to mean factory production and construction and shit.
It’s not about being technically good or not for me, it’s a question of expression. A human can express internal thoughts and feelings. An AI, at least the ones we currently have, can only do an awkward imitation. There’s no intention or awareness.
I think it can be art in the same way as photography: In both cases, the human influence is far less intentional than things which start with a blank canvas, and the ease of creation means that most examples aren’t art, but there are a few where someone happened to use the fullest understanding of their technical skill to capture a moment and a sensation of value. I wouldn’t say all photography is art, but I wouldn’t say that no photography is art, and I think generative images are similar.
I support the idea of making it uncopywrightable. I think it is obviously dependent on so many creators that granting sole use to anyone seems inappropriate.
Oh, I don’t even really care about the copyright thing. I just hate for a fucking robot to lay around in it’s pajamas drawing pictures while I trade 13 hours of every day to a factory for the privilege of sleeing under a roof with some food for my family and to get to lay around drawing pictures like an hour of my week. This is defined distopia.
I’ve still got hope. I see a sharply growing awareness of what you’re point out, and I think even the billionaires are a little spooked right now.
As they should be! There’s a lot more of us, and we’re coming for their power!
Hmm, I think there can be a huge amount of intentionality behind photography. It’s really not about the representation, it’s about all the choices made. AI can represent a scene perfectly and still have no intentionality. Of course, at the extreme that gets us into thorny issues like solipsism. How can I know that anyone besides me has intentionality? Maybe everyone else is just a meat machine with no awareness at all. Or maybe everything at a certain complexity has intentionality…
The intentionality is provided as a prompt by the human author.
Yeah, that’s fair. It’s hard to pinpoint what feels lacking with it, but it does feel lacking somehow to me. I guess for me there’s probably a tipping point where it’s no longer human enough. Like, just telling an AI to make a candy forest isn’t enough. But that’s a straw man argument in a way. Of course someone could put a huge amount of effort into getting an AI to render exactly what they’re imagining. In the end, it could be seen as just another medium. I have no doubt people are going to find incredible ways of utilizing it.
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I’ve done a bit of image synthesis, and I think the notion that it’s without intentionality is a bit of a myth.
I wanted an image of a gorilla dressed in a polo shirt and khakis, so I prompted stable diffusion to generate some gorillas in a variety of poses, then drew a shirt on, which looked like an MS Paint drawing. Then, I ran it back through Stable Diffusion to make the crude shirt look photo realistic. I then cut the gorilla out and used it in a photo collage.
I’m not using this example to claim that I’ve performed art or demonstrated any skill, but the final image is definitely the intentional result of trying to take a very specific image in my head and put it on the screen.
I made a similar point in response to someone else in the thread. I agree. It’s a very interesting situation to ponder. In some ways it’s just another medium. The intentionality is in the people trying to produce what they’re imagining via the AI. I will be curious to see what sorts of things people come up with over time.
Unfortunately at worst the machine will only improve to the point where it is unnoticable.
Its a program designed exactly to be bullied into place by humans, were just only halfway through the bullying and still coorp’s are pushing it like its done.
Eventually it’ll have to be accepted as just another tool by artists.
That being said I support copyright less than I do “AI rights” so I’d say this is an overall win
If you think art is at all dependent on each individual recognizing it as good, then I think you’ve completely missed the point of a lot of art. Most art only appeals to some.
When I make art I make it for myself. I have no interest whatever if it anyone else feels one way about it. I talked with the robots. I didn’t like it. Felt dirty, cheap.
Fuck Corporate America and all it’s Bootlicking sellout enablers.
As someone who creates a variety of art in pretty much any medium I find AI art to be something deep and subconscious in us. It taps into something we can’t reach unless on mind altering drugs. I find it to be an amazing study of the human psyche. I have never been able to connect to most “art” especially any of the classical stuff, as well as most music. While people enjoy and even request certain pieces of art from me, all but sculpting leaves me disconnected from my work because what I visualize and what create aren’t thr same. AI art has that missing piece.
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So, as someone who doesn’t do visual art, mainly writing and music as hobbies, my opinion is if there is intent, ie from the prompt or there editorial process of tweaking the model, then there is at last an attempt by a human to convey a message through the piece.
Whether or not it has good composition, or achieves something that resonates with a human viewer is valid criticism, but I think irrelevant as to whether or not it is art or a piece of creative expression. If someone has bad technique and can’t really get their idea across well in a painting, is it no longer art? Is a painting made during a paint and sip where you’re coached through the painting not art because there is no intent? These are more to gauge what you mean by art than as gotcha questions.
I would disagree that a prompt is sufficient to express human intent, specifically in writing. How many stories can you list that don’t follow the heroes journey vs the ones that do? The most important part of any writing is not the setting and overarching narrative, it’s the small choices the author made all along the way that make it truly human. AI can parrot those choices, but a human can’t get an AI to make truly new unique decisions with any amount of prompting.
On the subject of tweaking the model, that’s not really how AI models work. Users don’t edit the model and keep the prompt the same to try to get different outputs. The only interface exposed to users is the input.
Author can define those small choices as part of the prompt.
I’m talking about how the story is written. You literally can’t define all of those choices in a prompt, it’s a continuous series of many many choices all throughout the story
Many/most of those small choices have no artistic value - it doesn’t matter if you choose to use “because” or “since” for example.
Providing critical artistic choices while letting AI to make the rest of simple dumb choices (like the example above) is IMHO still creating art.
If you had spent just a few minutes thinking about it, you’d have realised email jobs and creative jobs would be first on the automation chopping block.
A secretary used to schedule events and write invitations manually, now you have calendly and ChatGPT.
You used to need an HR professional to onboard new employees, now you can use on-demand courses through any of the million LMSs that exist.
Oh and there are already AI generative tools for those kinds of online courses.
Meanwhile, even the best robots move like geriatrics. We’re 100 years away from a robot that could do all that a construction worker does.
I work for a company that is automating the onboarding process even more. You type in the name of the person being on boarded and it creates the software licenses, training programs, usernames, passwords, everything, including checklists, reminders, deadlines and recurring events and renewals, with AI language models picking whether the new hire is in marketing or sales or supply chain etc
True! If u think, that something machine made could be Art should think about what art differentiate from kitsch.