Myles Kennedy. Oh shiiiiiiiiiiiiiiiiiieeeeeeeeeeet, that man can sing…

I’ve seen him live (with Alter Bridge) a couple of times, and it has just blown me away hearing his live performance be as good as if not better than the studio versions.

Strong James Popsys-vibes in this one :-)

What did you lie about? 🙄

Let’s not. It was a hard part of my life.

No I’ve never played those. And sounds like I should really stay clear of them ;-)

Oh shit, I had forgotten all about the Infamous games. That was some strong implementation of QTE for sure.

But let’s be honest. Those are kind of the exception to the rule :-)

Exactly!

What? Is it supposed to make me feel powerful that I can smash a button a gazillion times to hold back a train from falling off the rails? Just so it as a cinematic - I don’t need to be involved in every little thing!

Saw this comment pretty late. Lemmy has been acting up - sorry! But while the wait will be hard and all, filming has already begun, so I don’t hope the writers strike has done too much in that regard :-)

That’s funny. I though the same thing too! Poison in the respirators, and the tape switch was to get a worse seal to give her time to get out of the suit. There i was, saying “come on, get it off!” right up until the birds came flying…

I had it all backwards 😂

I think it’s way worse on my new oled than it ever was on my old led - it had much lower contrast and nowhere near as dark shadows. Which - again - looks amazing on the vast majority of what I’ve seen on it so far. But especially See on AppleTV+ is almost umwatchable

Yup. As written elsewhere - 96% of material looks perfect. It’s only certain shows and movies (but actually not really any movies, that I can think of)

I can assure you it’s not the TV :-)

Yeah, that is my problem. I have calibrated my new TV to meet optimal color and light levels - and it looks absolutely great in like 96% of all I’ve thrown at it.

But watching See last night was a nightmare. And I know AppleTV+ can look good, as I just finished watching Silo, and even though that by design is also a quite dark show, I never lost sight of what was going on.

I guess there’s not much to do other than turn up the brightness. Which shouldn’t be necessary. But alas, the world is not perfect.

Can’t tell you why exactly, but I got a sudden urge to replay Day of the Tentacle after seeing this :-D

Seconded! My most missed feature in these first days of Memmy (which is quite a good replacement in my daily routines :-))

Yeah, the wait will be long. But I’m happy that it seems filming has already begun!

Regarding your last question, I think it’s “just” a totalitarian approach to not wanting people researching too much on their own and gathering to much knowledge about how things work and in the end being able to develop unwanted skills.

The strike wasn’t the only problem though. There’s apparently been quite some trouble between the show runner and head writer, I believe, that delayed the production even before the strike.

Really hoping it doesn’t show in the final product. Season 2 of Severance is my most anticipated seasons of a TV show for years.

It struck me that Bernard clearly didn’t know about the door. His reaction when Jules mentioned looked quite a bit like surprise.

OH my, I’m looking forward to next season

I’m willing to bet that the big door at the bottom is access to the other silos.

I’m also quite sure that Holston is probably dead. Along with everyone else, that went outside.

I had this thought last night, after seeing the finale. What if the other silos are open to each other, and only Silo 18 (I’m guessing it the number based on the key to the mainframe having number 18 on it) is closed off / isolated? Maybe because of it being the origin of the rebellion? As some sort of sanction. Or maybe to contain The Syndrome - whatever that even is.

I know it’s far fetched. But who knows? (Other than the millions of people who’ve read the books, of cause ;-))