I’ve started reading Jumper by NameDoesNotMatter. I would like to formally apologise about all the harsh things I’ve ever spoken about that film.
Fine, the cast is unlikeable and the action scenes are just fisticuffs in the air, but my god, in comparison to the teenage dreck that is the book, it’s a masterpiece. At least they tried to build a credible back story for the main character.
In the book, he literally thinks everyone is out to sexually assault him (and somehow they seem to), he solves his problems by throwing money at it, instead of any actual creativity, and the author desperately tries to portray him as a mature-for-his-age adult, despite the fact that his first reaction to anything is crying followed by petty revenge.
I’m just flicking through the pages, pausing at any plot bits, and then flicking on.
50 Shades of Grey.
The film is silly and mediocre but the book is next level terrible.
I’ve never consumed either media of that story. But I thoroughly enjoyed Dan Olson’s take.
Yep. This is probably the best take of showing how the movie’s writing process changed the writing for the better, then the books’ author put a stop to that.
Just so you know, everything in that link after ?si= is purely tracking information so Google can know who you send links to, and when they open them.
Thanks, forgot to delete that.
Thank you. I ended up watching the whole trilogy (of videos).
Here is an alternative Piped link(s):
https://piped.video/qzk9N7dJBec?si=zp_SQRQ3jBbOUWab
Piped is a privacy-respecting open-source alternative frontend to YouTube.
I’m open-source; check me out at GitHub.
its twilight fanfiction
This may be unpopular but I was deeply disappointed in Shawshank Redemption when I read it. The movie is top tier.
Edit: In retrospect this doesn’t really answer your question as you asked about bad movies with a worse book and Shawshank is definitely not a bad film.
Movie is definitely top tier, I also love the novella. Different Seasons is what I point to when people dismiss stephen king. Shawshank Redemption, Stand By Me, and (while not on the level as the other two) Apt Pupil all in the same collection. But to each their own; pretty sure the final story is trash though haha.
The story was a novella King wrote in the early 80s for a short story collection, and it was his first real attempt at writing genres outside of horror. He’s gotten better at that over the years.
Even so, I wouldn’t say it’s bad, just that the movie blows it out of the water.
Starship Troopers was a far different story in each medium, but I think the movie is much more worthy of your time
would you like to know more?
I’m doing my part
The movie is great but I’m curious as to why you think its better than the book?
I think the story and messaging of the movie is just amazing. We get to see the decline of Rico into a fascist mouthpiece, the casual disregard for human life and the way society warps us all. What starts out as perceived funny-ha-ha jokes in the opening act (the kid saying “I’ll serve too”) is retroactively depressing by the end of the film where Herr Commisar NPH shows how trivial the whole war is.
+1 the movie is pure epic satire
I do like PKD as an author, I just never quite liked Starship Troopers the book, even though it’s got some nice Forever War vibes to it
Heinlein not PKD.
Probably because Starship Troopers isn’t PKD. It’s Heinlein.
Kind of funny to imagine what it would have been like if it had been written by PKD. Johny Rico would have spent 1/3 of the book going through a divorce and the troopers would have all been on halucinogens.
oh whoops, I’ve made that mistake for X years then. Solves a mystery too - I hate Heinlein. Stranger in a strange land was dull.
The only book of his I’d recommend is The Moon is a Harsh Mistress. It’s quite Anarcho Capitalist, and sexist in places but it’s an interesting revolution story regardless and has some interesting ideas in it
Yeah I found it boring as well. But yeah that would explain it!
Starship Troopers is Heinlein not Dick, and it’s fascist nonsense. Verhoeven was right to throw the book in the bin after two chapters and the movie rules.
Heinlein experiments with loads of social structures and governments. Starship Troopers is the fascist example, not an example of all his work.
I think you could make a credible argument that some of the Harry Potter books are worse than the movies. The best example that comes to mind is making fun of Hermione for wanting to free slaves, and the other characters claiming being slaves is in their nature or something. If you had only watched the movies instead, you’d get to see the slaves are miserable, most of the good team characters don’t own slaves, and Harry Potter tricks a slave owner into freeing their slave.
In the later books Harry gets a slave and doesn’t free him but its ok because the slave is rude.
Jk rolling made some really strange decisions. Some of it really makes you wonder if maybe she was being a little too honest or just too unaware to see the implications.
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Kreacher really wants to be a good slave, he just wants to be a good slave for the bad guys. So it’s okay to abuse him, see?
I know that I was almost an adult when Harry Potter came out, but I really tried to get into them as everyone else loved them, but the writing was flat af.
and Harry Potter tricks a slave owner into freeing their slave.
That happens in the books too. He only does it because the slave owner is a mean slave owner, though, not because slavery is wrong.
The thing is that Rowling hadn’t really thought it through yet. Having the hero save a slave is pretty clearly heroic and good, and it’s a nice way to wrap up the Dobby story arc, but then the fans were all like “wait WHAT!? there’s slaves under Hogwarts!?” and she was forced to think it through, and it turns out JK’s pretty awful so the result of her thinking it through was to make it worse.
Ready player one, though to be fair I didn’t finish either version. I feel like percentage-wise I made it further through the movie, but only because the movie is less than 2 hours long. I made it to the 2nd chapter of the 2nd part and couldn’t take the masturbatory prose any more. There’s no self insertion on one side of the scale, Mary sue-ing in the middle, and ready player one sits on the far side of the scale.
I was going to say, Ready Player One is not a great movie, but it does at least have Spielberg at the helm, and while late-career Spielberg is a shadow of his former self, the movie is directed competently and interesting enough visually.
Not least of all because you can actually see and enjoy all the various IP in action, rather than just have them name dropped like in the book. When there’s a sea of interesting or recognizable things on screen, that does a lot to help distract from how terrible the plot is.
But even at its worst, the movie is a tolerable popcorn flick. Turn your brain off and enjoy some pop culture references, then forget it all an hour later.
Because the book is just terrible. It’s an absolute slog, a lot of the dialogue is embarrassing, the prose is uninspired, it’s overloaded with explanations of UIs and unnecessary, long winded ramblings about the various pop culture references. The movie at least has the benefit of just putting a thing on the screen, the book has to describe all of this shit, and it’s tediously done.
Which is to say nothing of just how terrible the plot is in general but more than enough people have gone off about that.
Twilight for nerdy boys is the best description I’ve ever heard of it, but at least Twilight isn’t as gratuitously masturbatory.
The movie is so much better than the book because it drops a lot of cringe that the book has.
Ready Player One is the Skeet Ulrich of Snow Crash ripoffs.
I read the whole book twice. Its bad. The first time was fun because I was just looking for the pop-culture references, but thats the only kinda good thing the book has. The second time I focused more on the story and the characters and its just bad. There are no likeable characters, but you are supposed to like the main protagonist who is an antisocial creep. The setting makes no sense and the plot is just there to move to another place to show off more references stacked onto each other
Yeah, the book felt like I was being beaten over the head with pop culture references…but then you open up VR Chat…
I feel like there was value in the predictions RPO was making, particularly at the time it came out, just before Facebook became Meta and basically made it their playbook. If the world ever gets so shitty that the friction of putting on a VR headset actually becomes preferable to doing literally anything else, I think it’s a pretty believable future.
Ready Player One I guess. There’s a big difference between seeing a fuckload of pop culture artifacts on screen and reading multiple pages of somebody rattling off their knowledge about them. The worst part is that RP1 doesn’t even really engage with the culture it utilizes in any kind of interesting way, it’s all just surface level references that you’d learn from reading Reddit comment sections where people quote memes at each other. The movie on the other hand kind of makes it work because the pop culture artifacts aren’t dwelled on, they’re used more like an aesthetic choice, while the main focus of the movie is on its paint-by-numbers plot.
I actually really liked the book over the movie. I felt like the book did a much better job of describing the dystopian world and how the MC (can’t remember his name and too lazy to look it up) and the world at large more or less dealt with it.
Iirc the movie doesn’t even go into the history of the digital world and why the MC was obsessed with it. I get that movies and books are different but it seemed like the movie was “inspired” by the book and not based on it.
When the iron giant shows up in your story as a reference and you have him
checks notes
Choose to be a gun
This is probably the best example of the OP’s thread topic. Ready Player One book is really bad gaming nostalgia on the order of the Brick by Brick meme novel by Bob Chapman. Just absolute consumerist trash with nothing interesting to say. The movie is still bad, but better then then the book.
I can’t think of a more perfect example.
Fight Club, book is decent but the film seems a more complete package.
The film’s problem was casting Brad Pitt as Durden and changing the ending so that he’s successful. The movie made him attractice and charismatic. The book makes it clear the narrator is completely unhinged and fixated on his hatred of women and femininity.
The book is very clearly a story about straight men not being ok. “straight guys would rather punch each other naked Ina basement instead of go to therapy.” The movie doesn’t translate that well, so it reads more like a criticism of 90s work culture. Which is fair, but it often misses what Palahniuk intended.
To also be fair though Palahniuk seems to like the movie, but really despises young straight men admiring Durden as some antihero. He elaborates that feeling in the comic sequels.
Ya the movie bangs
Even Chuck Palahniuk agrees.
Now that I see the movie, especially when I sat down with Jim Uhls and record a commentary track for the DVD, I was sort of embarrassed of the book, because the movie had streamlined the plot and made it so much more effective and made connections that I had never thought to make.
Source: https://www.dvdtalk.com/interviews/chuck_palahniuk.html
There is a Fight Club 2 in the form of a graphic novel. I normally don’t believe a shitty sequel can ruin my opinion of a movie I enjoy, but this one really put that to the test, boy howdy.
It’s tv series not a movie but The Three Body Problem. The ideas are poorly thought out ass pulls to setup the weirdly specific situations the wittier wants.
At least the show makes the characters more interesting.
Agreed, most of the characters in the book are so flat, and only do things because the plot needed them to do that thing.
The Netflix series managed to make the character’s motivations seem more believable which I appreciated.
Funny, I didn’t mind that the characters’ motivations were written differently. Much more about their pasts and their circumstances than their outward emotional states, their irrational fears or momentary actions, and their short-term gains. It more all about the situation, the collective motivations, and the achievable ends.
I liked reading a Chinese sci-fi novel. It was alien twice.
I haven’t tried to watch Three Body Problem, because I disliked the book so much. I’m not surprised it’s better, but I still probably won’t watch it.
its relieving to hear others didn’t like the book because everytime it gets brought up you usually see nothing but gushing praise bordering on fanaticism. I liked the concepts behind them but really didn’t enjoy reading them at all
I quite enjoyed the books. Would I then enjoy the show?
I loved the books and found the netflix series to be a pretty enjoyable westernization of them.
There were a few changes/choices that were a bit strange or missed the point, but overall it’s worth watching
It earns its 7.2 or whatever rating. On the whole, watchable. Parts were bothersome. Others, magnificent. Not sure about rewatch value.
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It’s decent. I feared a worse version.
Takes some liberties, but overall enjoyable
Just Panama alone… Jesus
I really had a hard time with the chinese names, especially the ones that sounded similar.
Harry Potter, the movies are at least wizards do wizard stuff even if the world is pretty boring to me. The books on the other hand, are just straight up strange and mean. Reading them as kid they just sucked, I have no clue why they are so popular outside of the movies.
Harry Potter has some issues, but for children’s fiction it’s better than a lot of series.
I’d have to disagree with that, one of the main reasons I didn’t read Harry Potter as kid was because there was simply better fiction. That and also easy access to manga in the west had started becoming bigger.
What do you mean by strange and mean?
There’s a lot of moments where the characters will laugh at or make fun of someone for something to a degree I would never do irl, or the slave bit with hermione. The characters also just don’t evolve at all. Reading Harry Potter just gave me a fish out of water feeling, there were better magic books with characters that actually grew and changed.
An absurd amount of marketing, mainly. Very easy to shove YA/childrens books down kids throats, they don’t have a lot of natural exposure to literature. Fuck, eragorn was the best example of the YA industry pushing a bad series (they even tried a movie series), I remember loaning it from my school library and being legitimately confused as to why it was becoming popular. I ended up finding a weird romance+fantasy series at the time that I largely consider as not being actually good, but remember finding it way more engaging. Maybe it’s better now that kids are largely terminally online.
It’s really my biggest gripe with it. There’s better fantasy, better wizard centric fantasy, and better YA books out there. It’s not great by any means, and I’m not surprised that I dropped the series without finishing it as a kid because I was reading much better stuff by the time the last few books came out.
Honestly I kind of liked the eragon books though if asked I couldn’t say why.
The attempted movie adaptation was horrible though
same. It was long enough ago that I have no real recollection of why but I thought they were good. I even saw the movies. I guess kids aren’t very picky
There was more than one movie? I thought they gave up after the first
Guess you’re right. I remember seeing one in theater, which I thought was the second one, but looking it up now that was 2006 (god how was that 18 years ago lmao) and they never made the second one. 100 million budget, made 250 million at the box office, I guess that’s considered a flop. (Edit: yeah I guess it was a flop in the US box office, the majority of that was worldwide)
Eragon is likeable despite not being very good. Probably its greatest strength is just how sincere and inoffensive it is. You can really feel that the author was just a kid writing some fantasy stories. I think there’s value in that.
I’d guess it’s because it captured the demand for english-language isekai at a mid reading level, and snowballed with hype around new releases, which quickly got rolled into the movie franchise as well. For 15 years there was a new release almost every year, between the books and the movies, so you couldn’t really avoid hearing buzz about it. If it was just one book without regular injections of hype into the public consciousness, it’d probably be largely forgotten.
Kids don’t care so much about prose and they’re usually too naive to pick up on political subtexts, at least consciously. As a kid I liked them for the escapist fantasy and the simple narrative.
Totally agree, I guess just had better fiction when I was kid, I’m gen z and easier access to manga started becoming a thing as I grew up, webtoon also happened.
I dunno, I’m sure there’s a more complicated and interconnected series of events which lead to them truly being popular, not least of which was the movies, but in terms of how they’re structured, it kind of makes sense to me why they were a successful fiction. The various different houses, even though they’re mostly indistinguishable from one another internal to the books, give kids something to identify with and self-categorize into, which is something that teenagers kind of love doing in a struggle for identity. They’re also part of the hidden world subgenre, which means it’s even easier for tweens to self-insert into.
Then, I think it also helps that they’re kind of poorly written, weirdly enough. Every character isn’t usually a real, fleshed out individual, they’re just an archetype, and a shorthand, a common trope. I think this is probably desirable for a tween audience, and I think probably also a simple to follow plot and set of plot elements is also more desirable. There’s no lore to keep up with, it’s just like you’ve taken a bunch of other tropes from other, better works and compressed them into an easily digestible series of books full of melodrama. It’s not super hard to understand. Those other books, they’re like the various PDAs and shit you’d see floating around in the 90’s, they’re explicit works of art constructed for a singular purpose. Harry potter is like an ipod touch, or an iphone, or something, it’s just engineered to have more mass appeal at the expense of complexity and possibly quality.
I’ve started reading Jumper by NameDoesNotMatter. I would like to formally apologise about all the harsh things I’ve ever spoken about that film.
Fine, the cast is unlikeable and the action scenes are just fisticuffs in the air, but my god, in comparison to the teenage dreck that is the book, it’s a masterpiece. At least they tried to build a credible back story for the main character.
In the book, he literally thinks everyone is out to sexually assault him (and somehow they seem to want to), he solves his problems by throwing money at it, instead of any actual creativity, and the author desperately tries to portray him as a mature-for-his-age adult, despite the fact that his first reaction to anything is crying followed by petty revenge.
I’m just flicking through the pages, pausing at any plot bits, and then flicking on.
The lord of the rings!
I love reading…I read a lot. But Tolkien’s style just never worked for me, the movies were great.
I like Tolkien’s style, but I get it. If you’re not prepared to hear everything described in excruciating detail, maybe just stick with the Hobbit.
The Hobbit was pretty good. It’s been a long time since I read it.
I agree with thus, I tried the books and got pages in before abandoning them, the movies are well done
I liked most of the books, but I hate the long songs. Maybe this is a hot take but authors should not put in songs longer than a few lines.
Yeah no I hate songs in books. Most of the time it’s pretty hard to figure out what the actual tune of the song is supposed to be sung like, unless the author’s pretty good at it, and most aren’t.
I remember hearing that tolkien when reading the songs aloud never sang them, so noone really knows what they should sound like
I always skip a song that is more than a few (max 5) lines long
Jaws doesn’t quite fit the prompt but although it’s a good movie, the book is essentially a sub-par beach read. And there was no USS Indianapolis monologue in the book.
Hunt for Red October. The book is great and for it’s time had done amazing insight into modern naval warfare but the movie irons out a bunch of this which are a bit lame.
The Akula that kills itself with its own torpedo simply blows up because it abused its engine and another sunk when the titular sub rams into it.
The titular sub is later returned to the USSR.
The movie changes those and a few other things for a more exciting and satisfying outcome.
Stuart Little was the weirdest book you could possibly read, the movie managed to make it actually make sense while both were meh.
Hey now, I read Jumper as a teenager and it was one of my favorite books… Admittedly, adult me has never gone back and read it so maybe you’re right, but I have read the sequels and I thought they were okay. The fourth one has Danny and Millie’s daughter teleporting into Low Earth Orbit and using a bunch of real life space and satellite communications technology, which was cool because I consult in that industry and so it was like “Hey! I know what she’s doing and that would work!” or even “I have a client who’s working on something just like that!”
It doesn’t fit the prompt because they’re actually both really good, but the movie Contact is better than the book. Carl Sagan wrote in a very rambley, wordy way (kinda like how he talked). He spends like two and a half pages describing Palmer Joss’s tattoos or Ellie Arroway’s hair. So much of the stuff in it is so cool, but it’s very hard to read. I’ve tried three or four times in my life, and I’ve ended up skipping around and just reading random parts of the story.
I can see that. Maybe as a teen I would have clicked with the style more. As an adult it just feels like I’m reading a twilight fanfic.
Never read Contact. Maybe it’s time!
I could not disagree more about Contact. I read the book first. I found it to be an incredibly realistic depiction of what contact with alien life might look like. The clashing of world powers, science, and religion are central themes. The movie slimmed down the story as you would expect, but they completely changed the message at the end. The book ends with Ellie finding actual evidence for some divine being which eliminates her conflict with faith. The world governments had already been forced to cooperate much more. Now with the final conflict resolved, it’s implied that humanity can move forward in a more unified direction. The movie has her just believe in God, more or less. The Christians were right…
